The new film Paradise Hills (dir. Alice Waddington) is much more style than substance (or even, coherence), but the style is fantastic. It was definitely worth watching just for a fun and dazzling scifi/fantasy/thriller, and it was a by-the-book Girls Underground story… but ultimately, didn’t have much to say that hasn’t been said better before. It doesn’t quite look like anything before, though, and that unique aesthetic kept me interested.

Uma is a wealthy girl whose family wants her to marry a man she despises. When she refuses, they send her to a surreal island reform school for uncooperative rich girls, run by a domineering but elegant headmistress (clearly the Adversary right from the start, in classic Red Queen fashion), who employs a cadre of handsome young men to keep the girls in line. Her fellow prisoners become her companions, but she is also joined by her secret lover, who infiltrates the island in order to rescue her. Eventually she discovers they are all being drugged nightly, and that’s just the beginning of it. Once it becomes clear that this place is definitely as sinister as you might suspect, Uma makes a desperate dash for freedom, uncovering many secrets along the way, including a betrayal by one of her companions. In the end she must confront the headmistress, revealing how she is connected to everything (quite literally, in a bewitchingly visualized but somewhat random and undeveloped denouement), and defeat her to make her escape.